Sounds of the Show

Thursday, March 22, 2012

Cast Announcement!!!!

Ladies and gents, The cast of Little Shop of Horrors WILL be announced today! Stay tuned for details!!!

Friday, March 2, 2012

Audition reminder and production info

Hey all! Just a quick reminder that auditions are this month! March 15 & 16 7-9pm and 17th 12-2pm with call backs on Tuesday March 21st 7-9pm
Snowflake Social Hall Theatre

Little Shop of Horrors
Production Information Sheet

Performance Dates:
July 19-21st & 26-28th

Rehearsal Period: April 3rd rehearsals begin.
Weekly: Tuesday- Friday 7:00-9:00 location Stake Centre (times may shift)
Saturdays: each Saturday, but flexible times (3-4 hrs each Saturday)
March 23rd we will be holding a read-through with the entire cast and any production team members to take notes, measure cast etc. will go from 6 to around 10pm.
Full rehearsal schedule and production standards will be issued on 8/23
Casting Decisions will be Posted March 22nd via website and email

Show Synopsis:
A down-and out skid row floral assistant becomes an overnight sensation when he discovers an exotic plant with a mysterious craving for fresh blood. Soon “Audrey II” grows into an ill-tempered, smooth-talking, R&B-singing carnivore who offers him fame and fortune in exchange for feeding its growing appetite, finally revealing itself to be an alien creature poised for global domination!

One of the longest-running Off-Broadway shows of all time, this affectionate spoof of 1950s sci-fi movies has become a household name, thanks to a highly successful film version and a score by the songwriting team of Howard Ashman and Alan Menken, who redefined the animated musical film with Disney’s The Little Mermaid, Beauty and the Beast and Aladdin. Charming, tuneful and hilarious, with tongue firmly planted in cheek, LITTLE SHOP OF HORRORS never fails to entertain


Sunday, February 19, 2012

Cast of Characters

Cast of Characters for audition preparation. We are looking for these characters plus additional ensemble characters.


AUDREYThe bleached-blond, Billie-Dawn-like, secret love of Seymour's life. If you took Judy Holiday, Carol Channing, Marilyn Monroe and Goldie Hawn, removed their education and feelings of self-worth, dressed them in spiked heels and trashy but modest dresses, and then shook them all up in a test tube to extract what's sweetest and most vunerable-that'd be Audrey.
Low A to High D
CRYSTAL, RONNETTE AND CHIFFONThree female street urchins who function as participants in the action and a Greek Chorus outside it. They’re young, hip, smart and the only people in the whole cast who REALLY know what’s going on. In their “Greek Chorus” capacity, they occassionally sing to the audience directly. And when they do, it's often with a "secret-smile" that says: "we know something you don't know."
MR. MUSHNIKTheir boss. A failure of an East Side florist. His accent, if he has one, is more that of middle class New York than of Eastern Europe. He seldom smiles but often sweats.
Low G to High E flat
ORINA tall, dark, handsome dentist with a black leather jacket and violent tendencies. He is NOT, however, a leftover from the movie version of GREASE. Think instead of an egotistical pretty-boy — all got up like a greaser but thinking like an insurance salesman and talking like a radio announcer. 
SEYMOURMid-twenties and perhaps balding a little. Our insecure, naive, put-upon, florist’s clerk hero. Above all, he’s a sweet and well-meaning little man. He is not a silly, pratfalling nerd, and therefore should not be played as the hero of a Jerry Lewis film.
Low A to High G
THE PLANT (AUDREY II)An anthropomorphic cross between a Venus flytrap and an avocado. It has a huge, nasty-looking pod which gains a shark-like aspect when open and snapping at food. The creature is played by a series of four increasing large puppets, manipulated by two Puppeteers. The first time we see The Plant, it is less than one foot tall. The last time we see it, it fills the entire stage.
VOICE OF THE PLANTProvided by an actor on an offstage microphone. It is important that this actor have clear visual access to the puppets onstage, so that he can provide accurate lip-synch. The sound is a cross between Otis Redding, Barry White, and Wolfman Jack. Think of The Voice as that of a street-smart, funky, conniving villain — Rhythm and Blues’ answer to Richard the Third.